The lobby and entrance is located on the south side of the 1300 building through the series of exterior glass doors. Located inside the 1300 building on the southwest side of the college campus. Assistive Listening Systems devices are available upon request, check with the lobby staff upon arrival. When purchasing tickets in advance please let our Box Office staff know of any such needs. Check in with the lobby staff upon arrival for assistance with these needs. However, side doors are available for both wheelchair and stairless entrances. Additionally, most seating requires the navigation of stairs located in the lobby. These seats will also accommodate one companion folding chair if space permits. Our wheelchair accessibility section is located approximately twenty feet from the stage and about fifteen feet off center. As the primary performance space on campus, the Campus Theatre is utilized year round for many college events including Theatre Arts Department productions and Music Department concerts. Built in the early 60's, this Theatre has 536 seats and is only 17 rows deep. The Campus Theatre is a proscenium theatre located on the campus of Fullerton College. If the aforementioned terms are unacceptable, a purchaser may alternatively obtain tickets to Fullerton College events by either telephone 71 or in person at the Fullerton College Box Office window. No print-at-home or other any other electronic generated copies will be accepted at the point of entry to the event. Tickets purchased greater than one week will be postal mailed. Tickets purchased less than one week before the event will be placed at will call for pickup. Tickets offered on Eventbrite encumber an additional fee of up to $2.00 per ticket above the advertised face value of the ticket.Īdditionally, once the transaction with Eventbrite is complete you will receive a traditional paper ticket to this event from the Fullerton College Box Office not Eventbrite. Tickets purchased on Eventbrite are non-refundable and non-exchangeable. Any topics or concerns related credit card charge disputes or customer data security are solely between the purchaser and Eventbrite and not the responsibility of Fullerton College or the North Orange County Community College District. By continuing to the Eventbrite site you are agreeing to their terms of service as outlined on the Eventbrite site. Eventbrite acts as Fullerton College's ticketing agent solely for the purpose to collect payments made by attendees with respect to such event hosted at Fullerton College. That you are leaving the Fullerton College domain and entering the third-party website Eventbrite. Stage manager: Samantha Swaim.Third-Party Disclaimer By clicking continue below you acknowledge. Directed and choreographed by Kysa Cohen. Running time: 2 hours, 50 minutes.Ī Huntington Beach Playhouse production of Rodgers & Hammerstein’s musical, with book by James Michener, adapted from his “Tales of the South Pacific.” Produced by Lorraine & Jim Krasinski. * “South Pacific,” Huntington Beach Playhouse, 7111 Talbert Ave., Huntington Beach. Linda Garen Smith’s cumbersome set gets in the way of the production most of the time, but even that can’t take away the sheer gusto of the show, which is this revival’s saving grace, and most evident in the rousing performances of the Seabees and sailors, the real stars this time around. Another highlight is Rovin Dickenson’s performance as the Seabees’ biggest wheeler-dealer, Luther Billis, with a voice as large as his comic flair. He has the smooth veneer in dialogue and song of a world-weary Frenchman who has been away from home for 20 years, and his big, rich voice suits “Some Enchanted Evening” and “This Nearly Was Mine” to a tee. Jim Sandy, on the other hand, is perfect for the role of De Becque. In spite of working in ludicrous brown-face, Canedy at least has found the ebullient humor in Bloody Mary’s larcenous dealings and given her enough depth and warmth to make her character valid, and she sings both “Bali Ha’i” and “Happy Talk” with charm and a twinkling eye. The third odd casting is Evelyn Canedy as Bloody Mary. His love ballad might aptly be retitled “Younger Than Autumntime.” He sings beautifully, but he’s not a kid fresh out of college, and his mature treatment of Cable’s realization of the causes of prejudice, “You’ve Got to Be Taught,” is more adult anger than a young man’s reaction to the emptiness in his background.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |